There are also no songs lip-synced by Rajinikanth and, bar a few seconds, no dances by him.ĭespite some minor hiccups and a few logical flaws, KABALI is a powerful experience that lingers in one’s mind long after the final credits end. Fortunately, there are no comedians to distract the viewer. On the negative side, there is nothing new in the core structure of the story and it is easy to dismiss the film as just another film about the rivalry between gangs but KABALI excels in its characterization, script and of course the magnetic presence of Rajinikanth. Ranjith must be praised for his attention to detail like the clothing, cars and building skylines during the flashback sequences. Together, Muralli and Praveen ensure a high impact visual bonanza. Editor Praveen matches this creativity with creative cuts and montages. It is easy to see the effort put into the cinematography by G, Muralli through the wide variation in compositions, styles, lighting, angles and even tracking throughout the films. Santhosh Narayanan has already impressed everyone with his varied songs but his background scores surpasses even his own high standards. In the inevitable flashback, instead of a protracted flashback sequence that would have created a break with the narrative, he neatly slices the flashback into digestible bits that weave seamlessly into the current narrative. Top Tamil Love Songs playlist songs are in Tamil language. This playlist was created by Gaana on 24 Jun, 2014. Top Tamil Love Songs playlist have 50 songs sung by Yuvan Shankar Raja, Sid Sriram, Nivas. Listen to Top Tamil Love Songs Music Playlist on. It is, however, in the screenplay that Ranjith shows his mettle. Justin Prabhakaran, Balram, Sandhya, S.P.Charan, Anu Anand. There is a lot of subtlety and very few scenes that contain wordy exchanges.
#ROMEO JULIET TAMIL MOVIE TAMIL YOGI FREE#
Ranjith’s script is punchy although is remarkably free of “punch dialogues”. Naaser, Dinesh and Riythvika are the best of the others. Kishore makes a good villain as does Taiwanese actor Winston Chao. Dhansika is a revelation with her gutsy portrayal of Yogi in a role that is lightyears apart from her role in PARADESI. It takes some imagination to accept Radhika Apte playing Rajinikanth’s wife but she does a brilliant job of her portrayal without straying towards the melodramatic. Also notable is that his speech style and speed is markedly different from his other films. The style, swag and delightful mannerisms are there but added to that is a large degree of restraint and panache. This is by far the most powerful acting performance by Rajinikanth, accentuated in the many close-up scenes. How he deals with the ghosts of his past forms the rest of the story. The Tamil-speaking officer who played a pivotal role in his release appeals to him to abandon the ways of his past and to lead a righteous life but Kabali has too much of pain and baggage from his past to obey. Kabalishwaran (Rajinikanth) is released from a Malaysian prison after many years of incarceration. Ranjith makes a brave deviation from the Rajini formula in KABALI – Her certainly does not abandon it altogether, but makes significant changes. It is always difficult for any director to break to cast Rajinikanth out of the set Rajini mould without incurring the wrath of his fans.
0 kommentar(er)
